Anne-Sophie Falconer is a figurative sculptor with the human soul as her main focus. She draws inspiration from our fragility as human beings, starting with her own. Highlighting what we try so hard to hide from one another is what she is interested in revealing in her works. Winterstone (cement) is her medium of choice, and she is self-taught.
Landscape and figurative artist Arden Rose is a colourist at heart. Inspired by nature and the simple things that give joy, Rose’s works inject space with colour and a little sass, evoking a certain joie de vie, wonder and delight. With an economics degree from the University of Vicrtoria and an MBA from McMaster University, Rose is mostly self-taught as an artist. Inspired by Expressionism, Fauvism and Modigliani in particular, her paintings are sure to delight with her colour, whimsy and gentle humour.
Ben Fox’s work is inspired by the wild and expansive British Columbia locations that Ben has spent extensive periods immersed in – sketching, painting and making photographs. Ben has lived in a remote cabin in Haida Gwaii and spent months of his life on sailboats exploring the Great Bear Rainforest, creating art and gathering material for future work.
Sculptor Birgit Piskor’s work in modified concrete is largely about transformation. She sees the potential for great beauty in change, where she captures that edge of transformation and the liminal space between. Piskor channels the essence of concrete into shapes and textures that defy its inherent rigidity, resulting in sensual, organic forms. Her works shift between arching female forms to striking geometric totems. Piskor’s works are held in private collections locally and internationally.
International award-winning Canadian painter, Chin Yuen, was born in Malaysia. She studied in Singapore and England before moving to Canada for further education. She holds a Bachelor of Fine Arts with Honors from Vancouver’s Emily Carr University of Art and Design and a Master of Arts from the University of Victoria, Canada. After graduation, she moved to Japan and Italy, where she taught English and Fine Arts for several years before returning home to Canada. Yuen continues to travel extensively for work and pleasure. She sees her diverse cultural exposures as an artistic asset that, combined with her love of imaginative inventions, inspires and shapes her creations. For over 20 years, she has exhibited internationally. Her dynamic abstract paintings are on the covers of international textbooks and the walls of residential homes, hotels, health care centres, and corporate buildings.
David A. Haughton was born in Philadelphia in 1956 and moved to Canada in 1991. A self-taught artist, Haughton has been exhibiting his work for forty-six years. For 30+ years, he supplemented his art income as a Pediatric Emergency doctor. As was his plan all along, he is now a full-time painter.
Realist landscape oil-painter Felice Mazzoni lives in Victoria, British Columbia and has spent his entire life on Vancouver Island.
Traditional weaver and textile artist Fran Solar applies orthodox techniques to industrial materials, such as copper wire. Available in many colours, it is flexible, manipulatable and can be patinated. With freedom to design and improvise on the loom, Solar creates sculptural forms that do not have function but, rather, are beautiful objects with rich colours and texture. Transcending materials often associated with weight and rigidity, Solar creates forms that are tactile and flowing.
With a degree in urban planning, Graeme Masterton’s watercolour paintings convey his love of cities, places and architecture. Influenced by Realism and Gustave Courbet, the Impressionists Manet and Pissaro, and 18th c. landscape painter Canaletto, Masterton’s works capture light, movement and texture. Through travel, he seeks unique perspectives that have aspects of a building, but with life and light. Masterton is drawn to natural materials, such as brick, which provide a sense of time and history.
German-Canadian artist Ira Hoffecker is an urban explorer who employs ideas of rebuilding, decay, covering and revealing in her painting practice. Hoffecker’s process of ‘covering’ is a metaphor for forgetting and suppressing the past, while her ‘revealing’ points to remembering and reconciling historic events. Adapting geometric shapes inherent in architecture, Hoffecker translates city atmospheres through shape, line and colour, marks that articulate the physicality of her work.
Using the simplest of line and shape, the subtlest shift of colour, abstract landscape artist Irma Soltonovich’s works evoke emotion, feeling and memory – a landscape of the imagination. Her distinct horizon line offers comfort and grounding, as well as a sense of belonging. Soltonovich grew up on a Saskatchewan farm, where the prairie is never just a background – it dominates. Blizzards, lightening storms and the overarching sky instil a feeling of freedom, limitless space and room to explore.
Lucy Schappy’s wildly optimistic paintings are a form of visual poetry that express her love of life. Symbols and colour resonate together to form a dreamy playground for the heart and mind. Her process is spontaneous and improvisational. Starting each new piece is an adventure that has no known end in sight. The process leads the journey and the outcome is unknown, a conversation evolves on the canvas of question and answer, each mark leading the next in a dance of brush and paint. The resolution of each piece comes at the end of a struggle to find balance and harmony amongst all of the aspects of the visual field.
Figurative and abstract artist Marion Evamy strives for a sense of history and mystery, of things revealed and concealed. Her tropically-coloured abstracts are often inspired by music, while her “fictional” portraits and figures consist of anything from a face with strong shadows to quirky figures. Evamy uses her initials as her signature – ME! – with the exclamation mark representing her philosophy that life should be lived as an exclamation, not an explanation.
Monica’s energy and passion are expressed in her unique mixed media paintings. Her semi-abstract, highly textured, luminous mixed-media paintings draw primarily upon the natural environment and symbolism from ancient civilizations.
She applies paint with brush and palette knives to produce a 3-D effect suggesting organic energy flow and movement. The complex surface and depth in her paintings are created using layers of opaque and translucent acrylic gels, inks and natural materials such as sand, paper, fabric, glass, silver dust, and stone.
Paula Callahan’s primal, sensual abstract works in acrylic and mixed media convey rhythm, movement and narrative in monochrome or an earthy, trichromatic palette. Her time spent as a field nurse in war zones in the Middle East and Africa in the 1990s with MSF is evident in her paintings. There, Callahan witnessed trauma, human suffering and environmental destruction. Her paintings reveal themselves as a movement from pain to reconciliation, or as a disassociated observer of place or events.
Richelle Osborne, based in Victoria, British Columbia, has been making three dimensional fine art since 2013. What began as a way to adorn her longstanding neighbourhood bistro grew into a full-time creative passion, with more than 150 paintings sold.
At once graphic and sculptural, Richelle’s work plays with shape, colour, texture,light and shadow to create engaging, one-of-a-kind art pieces. Inspired by colour-blocking and geometric design, it thrives on the use of everyday materials, from hardwoods and copper rings to rubber and plastic tubing.
Balancing creativity between elemental layers and visual concepts, artist and fine arts photographer Stacey Bodnaruk communicates a story which leaves the viewer directed but not limited to the freedom of interpretation. She creates unique and meaningful photography that evokes emotion, blending multiple layers and original photos harmoniously intertwined to create a dreamlike narrative. Inspired by wildlife, surf breaks and old-growth forest, Bodnaruk’s works convey power and beauty.
Vancouver-based artist Tiffany Blaise makes contemporary landscape paintings. In her practice, Tiffany explores the themes of movement and transformation through reinterpreting subjects such as dramatic coastlines and swirling skies.
Her artwork unites the physical landscape with the world of the mind. My art practice is a journey rooted in the exploration of thoughts and nature. I want to portray the connection between our inner nature and the landscape that surrounds us.
Encaustic means to burn. The Greeks used to use it to caulk the hulls of their ships. The Egyptians resurrected the craft to render exquisite portraits and decorate mummies. Shelley Wuitchik uses it to tell a story…an early morning dog walk may transpire into layers of Japanese maple leaves, coffee beans, and arbutus bark onto a canvas of pigment infused beeswax.
Shelley believes her art mirrors her life. Rich, colorful, layered. Shelley loves encaustic it for its’ immediacy and deliberateness. Yet it remains malleable and forgiving, just like the people (and dog) in her life.